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The album’s targets range from the deserving (Bill Cosby) to the left-field (Eric Benet) to the sure-to-be-Twitter-fodder (Kanye West). Abandoning his trend-hopping tendencies, delving into matters of race and politics with newfound clarity, and turning a pitiless eye on his own failures rather than simply rehashing his accomplishments, Jay’s 13th solo set is less a return to form than a striking reinvention, and perhaps the most mature album yet released by a member of hip-hop’s Mt.
#KENDRICK LAMAR ALBUMS DESCRIBED BY THE OFFICE FULL#
( Read Variety‘s full review here.) Perhaps the biggest surprise to be found on “4:44” is that it seems Jay-Z had gotten just as tired of Jay-Z’s crap as anyone else.
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This de facto double-album presents that style at both its most purified and most expansive, with “Hndrxx’s” far-reaching detours balanced by the more meat-and-potatoes “Future,” which provided 2017 with one of its most unexpected smash singles: “Mask Off,” in which a funereal flute loop and a mournfully incanted pharmaceutical refrain – “Percocet, molly, Percocet” – somehow conspired to create the most reliable dancefloor-filler of the spring. - Andrew Barker While Drake might have turned millennial melancholy into modern hip-hop’s lingua franca, Future went one step further and forged a marketable, strangely compelling style out of narcotized nihilism. 1 albums a week apart with his consecutively released “Future” and “Hndrxx.” This feat was all the more impressive considering the unlikeliness that either album would have been an obvious chart-topper just a few years ago. JAįuture - “Future” / “Hndrxx” (A1/Freebandz/Epic)Īny remaining doubts about Future’s place in hip-hop’s top-tier were put to rest early this year, when he became the first artist to notch back-to-back No. That song sounds like Elton John, and this one like John Lennon and the other like Nilsson? That arrangement is straight out of a Jimmy Webb or Lee Hazlewood album? He knows, and he knows a lot of you know, and you can take the elaborate, often-exhausting subtext and play along - or ignore it and just appreciate his classic songwriting and warm, crisp voice. And in a way it was the perfect symbol for his post-ironic music, which is usually mesmerizing and preposterous at the same time, an elaborate joke that’s still a beautiful collection of songs. JAįather John Misty - “Pure Comedy” (Sub Pop)Īround the release of this grandiose, gratuitous, and great album, Father John Misty (aka Josh Tillman) shaved off his impressive beard, leaving behind just a cheesy mustache that looked straight out of a ’70s buddy movie. The intensity can get a bit much and this is unquestionably one of the most extreme party-killing albums of 2017, but it’s also the first major artistic statement by a gifted singer-songwriter from whom we’re likely to hear much more in the coming years. The songs are slow and stately, built around simple but embellished piano or guitar chords, overlaid with multitracked, almost choral vocals, building gradually until she leaps into her lofty upper range and the songs burst open the quiet beginnings make the powerful endings much more dramatic. And while much of the same can be said of “Turn Out the Lights” - hushed vocals, simple chords paired with simple yet indelible melodies - it’s a far more fully realized effort, a giant leap beyond her debut in terms of songcraft and production. ( Read Variety‘s full review here.) Julien Baker is a 21-year-old singer-songwriter from Tennessee whose 2015 solo debut, “Sprained Ankle,” was a rough-hewn but promising album with gentle, vulnerable melodies that cloaked some often-harrowing lyrics.
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Julien Baker - “Turn Out the Lights” (Matador)